Indonesia call it my own country, creating musical instruments and instrumental music inthem either. general word Gamelan is always synonymous with hanging gongs, pot, andflutes, and other musical instruments made of wood even LoGa. all gamelan music inthe contents of the basic melody typical of Javanese & Balinese melody instrumentsfixed or flat and decorated by the parts of the instrument that blooms out of the basicmelody.
above is a picture of gamelan musical instruments .. and also here are the names part of a gamelan musical instruments.
1. GONG
an intrument or musical instruments of the gamelan is used as a regulator of the tempoat the time of the game being played gamelan music. Among the musical instruments of gamelan gongs more known by the youth of Indonesia.
2. JENGGLONG
same shape as the gong, but jengglong has 6 component devices that can be playedand certainly the tone that sounded too different.
3. GAMBANG
musical instruments from metal that has the parts itself, which is bass treple wings andwings of both sides of the size, which are called the bass is a large xylophone side, andtreple is a small side.
4. SULING
commonly used flute made of bamboo for games gamelan, flute has a sound that is soft and very fit with other instruments
5. KENDANG
"KENDANG" is a kind of percussion instrument that membranya derived from cow or buffaloleather. drum music played as a complement or commonly called Rythem music.
6. BONANG
taken from the name of the carrier of Sunan Bonang. is a musical style brought fromcoarse as a wedding gift wijaya King and Princess Campa
7. SARON PANERUS
has a long shape, and has 14 metal sound. and can be called also the sister of saronhowl.
8. SARON PEKING
saron howl is the smallest size of the grop gamelan group even saron. has 7 soundmetal parts, of course have the gamut. size of peking own saron generally has a length 66.6 cm
Gamelan own usual or customary in religious ceremonies by the inhabitants of Java and Bali in recent days some time dahulu.dalam gamelan is often played to accompany secular events, including concert events, performing arts tours and educational demonstrations.
There is no harmony, the rule remains in gamelan music. Tools on the whole as one single point, making it impossible to take only one of the gamelan instruments are provided and the exchanges with the same instrument set-size from another. This does not mean that the barrel of gamelan are not regulated or controlled-not is a very complex system of tuning and mode (or, more accurately, "mood"), understands that developed in the course of a musician life.
Since a lot of consistency of the above, it is remarkable that the various types of gamelan, both within and between regions within a single area, very different from each other. Each type of gamelan distinctive, unique music.
In contemporary Central Java, for example, a complete gamelan usually contain two sets of tools, a system tuned slendro five-tone gamelan and in a scale of seven tones. Two series that make up this seprangkat gamelan put together on the floor, with all the tools to optimize a forward facing, and the development of other places, perpendicular to the direction of travel set. Musicians can quickly change their bodies and then easily transition from one system to another tuning. These full gamelan can be found in large institutions in Indonesia and internationally as well as in villages, to musicians, home and respected in the courts of central Java.
On the other hand, a Balinese gamelan contains a complete set of tools, but these tools are found in their tuning: two instruments of the same size and construction are looking for a complementary female (pengumbang launched a bit 'low) and male ( slightly more acute pengisep) report.This place silmutaneosly on the two instruement are not identical and the frequency when the play togetherthe result is-a so called acoustic waves beat.This feature produces crisp sound of Balinese gamelan.complex interlocking rhythms of Engineering, kotekan called, is also a characteristic of Balinese gamelan music: two players to play on the right, distinct parts that fit together to make the melody very fast one.
There is no harmony, the rule remains in gamelan music. Tools on the whole as one single point, making it impossible to take only one of the gamelan instruments are provided and the exchanges with the same instrument set-size from another. This does not mean that the barrel of gamelan are not regulated or controlled-not is a very complex system of tuning and mode (or, more accurately, "mood"), understands that developed in the course of a musician life.
Since a lot of consistency of the above, it is remarkable that the various types of gamelan, both within and between regions within a single area, very different from each other. Each type of gamelan distinctive, unique music.
In contemporary Central Java, for example, a complete gamelan usually contain two sets of tools, a system tuned slendro five-tone gamelan and in a scale of seven tones. Two series that make up this seprangkat gamelan put together on the floor, with all the tools to optimize a forward facing, and the development of other places, perpendicular to the direction of travel set. Musicians can quickly change their bodies and then easily transition from one system to another tuning. These full gamelan can be found in large institutions in Indonesia and internationally as well as in villages, to musicians, home and respected in the courts of central Java.
On the other hand, a Balinese gamelan contains a complete set of tools, but these tools are found in their tuning: two instruments of the same size and construction are looking for a complementary female (pengumbang launched a bit 'low) and male ( slightly more acute pengisep) report.This place silmutaneosly on the two instruement are not identical and the frequency when the play togetherthe result is-a so called acoustic waves beat.This feature produces crisp sound of Balinese gamelan.complex interlocking rhythms of Engineering, kotekan called, is also a characteristic of Balinese gamelan music: two players to play on the right, distinct parts that fit together to make the melody very fast one.
This article is a copy of : http://bowoltambis.blogspot.com/2011/02/punya-bangsa-indonesia-gamelan.html
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